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He has a portfolio so vast that there’s a meme-worthy scene for every situation. The already cinema-happy Tamil people find in Vadivelu the power of mockery and satire as a way to explain life. His “Vada poche! (Alas! The vada is gone!)” was once used to explain Hilary Clinton’s electoral loss. His “Venaam, valikkudhu, azhudhuduven (No, it hurts, I’m about to cry)” has been the balm for many cornered souls. Various kinds of Vadivelu laughter have been cathartic for those who celebrated Tamilisai Soundararajan and H Raja of the BJP losing in the recent Lok Sabha elections, for instance. Vadivelu saying “Ahaan?” and “Is it?” are now part of legitimate language to respond sarcastically to fake news or false claims. His exaggerated facial expressions and loaded body language lent themselves incredibly to “meme” culture, which needed captivating visuals to tell its story. Vadivelu’s distinct ability to embody the hypocrisies of the common man, find comedy in real-life situations - even if tragicomic - and create believable characters, has made him a somewhat fortuitous theorist of modern Tamil society. The several alleged resurrections failed to bring his career back up. After an ill-fated tryst in politics, Vadivelu’s career petered out by the 2011 election, in which he campaigned for the DMK, which lost, leaving the ruling AIADMK adequately angered. For much of his 25 years as a comedian, his work was rejected by serious critics as slapstick and crude.
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Casteist slurs, blatant misogyny, rape jokes - and rape as joke - are sprinkled all over his oeuvre. So much so that at one stage, when Ekambaram chides the beggar, “Haven’t I asked you not to beg where I’m claiming my bribe?”, he retorts: “Haven’t I told you not to claim your bribes where I come to beg?”īut Vadivelu had his share of problems.
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What follows is a hilarious takedown of the police. The shopkeeper treats them both equally, flicking coins at their faces, which Ekambaram fails to catch. At one point, he walks up to the market and threatens a vegetable vendor for a bribe. Take Maruthamalai (2007), for instance, where he plays Encounter Ekambaram, a police head constable. He does it from within, playing characters seemingly similar to the heroes, yet, having his facade crumble spectacularly, exposing our hypocrisies and vulnerabilities. Vadivelu mocks all of these, not from a distance, the way his contemporary Vivek did, which appeared holier-than-thou. In his essay about Vadivelu, he writes that the comedian plays an important role as the antithesis of the Tamil hero, who is often the symbol of valour, honour, pride, patriarchy, caste supremacy etc. It is this nature of his work that makes him remarkable in the film culture of our times, argues Stalin Rajangam, a film scholar and Dalit intellectual. But he knows and we know that he is a “dummy piece” (a Vadivelu-ism for something that looks substantial but is actually ineffective). As Snake Babu, Bullet Pandi, or Kaippulla, Vadivelu plays the bombastically pretentious Everyman, who will go to any length to pose as the omnipotent, strong, valorous, undefeated leader. What Vadivelu does is what Tamilians call “getthu kaatradhu”, the closest English translation might be “disproportionate build-up”, which falls apart to great comic effect.Ī typical Vadivelu character is that of an unemployed villager, or a tactless businessman, or a perpetual college student, or even a disrespected cop. Calling his humour slapstick and self-deprecating wouldn’t quite explain its true greatness. His comedy is made up of delightfully exaggerated facial expressions, intonation, and an embellished sense of self. In retrospect, that might just be said of him, too. “Only you possible,” he tells Velan (Kamal Hassan, the film’s hero), about something that’s seemingly impossible. His small build, dark complexion, unruly hair, and broken English added up to his humour. Even though his career began a few years earlier, his claim to fame came in the 1992 film Singaravelan, where he played a nondescript role, being third or fourth-fiddle to the significantly bigger comedian Goundamani. Vadivelu dominated Tamil film comedy in the 1990s and 2000s.